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<i>A documentary on the state of
Maribor youth culture</i>

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Maribor ima veliko krajev,
ki nudijo navdih.

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Vrh Piramide ali pot ob Dravi,
če želimo v naravo.

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Sedenje v parku - pa tudi samo mesto in
njegova struktura.

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To je navdihujoče okolje.

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Najbolj pa me je navdušilo to,
da čeprav je majhen

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v primerjavi z drugimi mesti,
ki sem jih obiskal,

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je število kulturnih
dogodkov in ljudi,

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ki se kulturno udejstvujejo,
kar veliko.

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Lahko pa bi bilo še večje,
če bi bilo več možnosti,

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saj imajo Mariborčani velik potencial.

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Maribor vidim kot mesto
z velikim potencialom,

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da postane zdravo in
prijetno mesto.

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A sem v dveh letih zaznal
nekaj sprememb.

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Maribor doesn't offer anything
but repression to the youths.

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Until you don't cross
the boundaries, set by

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the elderly residents of Maribor,
everything is fine.

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But when it comes to
stimulating creativity,

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offering opportunities,
a 'sandbox', as we stated,

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I'm afraid that besides Pekarna,

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MARŠ is one of
the rare 'sandboxes',

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where you actually can
put your creativity to life.

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Elsewhere unfortunately only
by meeting certain conditions.

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When you set certain restrictions,
you reduce the possibilites

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of one's own creativity
and you start to put the people

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within the frames.

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You can then say goodbye
to creativity,

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unique thoughts,
and growth.

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If you go outside in the centre
of Maribor  in the evening

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you don't see any enthusiasm.
Everything is closed or

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people are in the taverns
getting drunk.

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In the old times, years ago,
there were more people

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and entertainment in the city.

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Mislim, da je tako,
ker kulturni dogodki in kraji,

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ki nudijo nočno življenje..

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..niso v centru,
niso strnjeni v mestno okolje.

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Nekaj klubov in diskotek
je v zunanjosti mesta.

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I think that it is important
for the city to

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have a lively city centre.

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Lively, but not in the sense
of shopping malls, but

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in the sense of original
activites of the city.

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Various artisans,
clockmakers, shoemakers...

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They all establish a certain liveliness
in the streets of the city.

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Maribor postaja en sam
velik nakupovalni center.

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To je grozno. V tej smeri se
razvijajo tudi ostala mesta v Evropi.

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To je žalostno.

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Nakupovalni centri
se sicer trudijo..

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..prenesti nekaj dogajanja
v njihovo središče.

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Nekateri morda mislijo,
da je to dobro,

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ampak jaz mislim,
da je zelo slabo.

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Saj selijo kulturne dogodke
iz mest, kjer bi morali biti -

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na kulturnih zbirališčih,
v Pekarni,

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v Gustavu,
v Narodnem domu...

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Na mestih,
ki jih smatramo kot kulturna okolja.

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Nakupovalni centri pa nimajo
ničesar opraviti s kulturo..

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..pač pa z denarjem.

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I also think that
it is hard to organise..

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a public event
or a protest in Maribor,

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which is the right
of every individual.

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This is because you
need a whole lot..

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..of permissions
from the commune..

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..and a lot of money
to finance such a thing.

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Takšno obnašanje
zatira kreativnost mladih ljudi.

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Mladi so 'prisiljeni', da obiskujejo
te kraje, ki so vsi enaki.

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Ponujajo isto glasbo, isto okolje,
vonj, barve in ljudi.

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Spodrežejo njihovo kreativnost in
iz mladih delajo ovce,

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ki sledijo nekakšnemu
kapitalističnemu pastirju.

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To je omejena svoboda.
Te kraje poskušajo predstaviti..

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..kot svobodne,
a to niso.

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Tam ne smeš početi stvari,
ki bi jih lahko zunaj.

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Notri ne smeš imeti piknika.

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Ne smeš snemati ali fotografirati,
ne smeš se dreti na ves glas,

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ker ti bodo varnostniki
to prepovedali.

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To ni svoboda.

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To je prisilen
psihopatski nadzor.

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To je zelo nevarno.

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Ker če greš v nedeljo zjutraj
ali v soboto popoldan v center..

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..je prazen,
Europark pa je poln.

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And then they wan't to close Pekarna,
where you can have

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fun for free or do whatever you
want for a small sum.

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<i>And why is it like that?</i>

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Veliko je mladih, ki so željni
kulturnega udejstvovanja,

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ampak v primerjavi s tistimi, ki
se jim nič ne da..

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..so seveda v manjšini.

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Kot v večini drugih evropskih mest,
mlade delo ne zanima.

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Zanima jih zabava, ne vedo pa,
da se lahko zabavajo tudi tako,

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da počnejo stvari, ki so zanimive
tako za njih kot za druge.

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Nekaj pa je ljudi, ki se trudijo,
še posebej v Pekarni ali KIBLI.

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Skušajo početi nekaj drugačnega.

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Young people have to work really
hard to get somewhere.

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There aren't enough 'sandboxes'
for them to play in.

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Universities don't teach us enough,
there is no practical work,

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and when you come to a place
where there is job to be done

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you don't know how to do it and
there is nobody to help you.

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That is one of the ill qualities
of the Maribor people.

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They let you be,
only to see if you will make it or not.

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I talk a lot with young
people of Maribor.

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A lot of them want to get
out of Maribor..

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..to seek
opportunities elsewhere.

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Especially in the EU where
opportunities are abundant.

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I think people in modern
times are passive.

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Maribor has facultys which,
to some extent,

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do not encourage creativity,
healthy ambitiousness..

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..and one's own initiative.

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Perhaps with the founding
of the Faculty of Arts..

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..and some other programmes
things will change.

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First problem is the absence..

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..of humanistic department of university.

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They have been
repeating this for years,

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but obviously they
haven't succeeded yet.

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The same is with the art department,

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because there is a lot of young
artists who come to the city.

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The profile of people, who
come to study in Maribor

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is more technically oriented.

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Their study programmes,
intentions and

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..careers are
oriented in this way.

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Less in creativeness
and intellectual work.

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Of course, there is the shortfall.
Creative young people

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choose to study elsewhere,
they don't stay in the city.

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Mislim, da je v Sloveniji veliko
ljudi usmerjenih v pop kulturo,

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ki je tukaj močna, posebej
v Mariboru, ki ga bolje poznam.

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To pa zna stati na poti tistim,
ki počnejo stvari drugače.

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Since I'm employed here in KIBLA,
I have a better insight into..

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..the work of young artists.

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We often hear that Maribor has,
compared to Ljubljana..

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..less young creators,
which is certanly true,

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because of the number of people

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that study here or
in Graz and Vienna.

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But I'd say that
the cultural life of..

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..young people here
is quite creative.

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But I wouldn't say that these
are students from Maribor.

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They are from Maribor, but they
study in Graz, Vienna or Ljubljana.

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It is hard to get students from
Maribor to be active on this field.

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The youth has changed bizzarely
since i was a freshmen.

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The activist' spirit -
to get together and do something..

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..if things aren't like
they should be -

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has somehow vanished. The students
only think of how to 'breed',

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how to get money and
where to park their car.

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These are the three main concerns
of youth in Maribor.

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The students only visit their
lectures and exams, while there is

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no interest in incorporating
into society.

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Kapitalizem v Sloveniji trenutno
poteka s turbo hitrostjo.

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Populacija, še posebej
mladi ljudje..

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..dojemajo stvari drugače
kot pred desetimi leti.

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Tudi organiziranje dogodkov in
prispevanje k aktivizmom..

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..poteka na drugačen
način kot v preteklosti.

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Vse postaja bolj komercionalno,
ne zanimajo jih potrebe, pač pa

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le izražanje na področju
kapitalistične logike.

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More or less everything is oriented
into the profit of certain clubs.

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Profit and fun,
bread and games.

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We have a lot of culture,
but not very much of art.

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We don't have a lot
of creative projects,

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but we have a lot
of shows where..

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a number of guests
are participating,

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..but very few of them
are from Maribor.

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And very few of Maribor artist
are performing outside of Maribor.

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Those who are, are bright
exceptions and very rare.

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KIBLA is cultural-educational
society and multimedia centre

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..with high recognition in Slovenia.

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We're celebrating
10th anniversiary this year.

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It incorporates many fields
of activity - book publishing

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multi- and inter-media art,
visual art, literary evenings...

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The reason why the KIBLA
was founded was perhaps..

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the lack of modern visual
art on Maribor and Ljubljana scene

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in the sense of modern technology
and inter- and multi-media art.

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Including various
computer festivals.

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The main audience of KIBLA are
students and people

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between 30 and 40 years old.

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Creative artists in fields of design
and visual communications.

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If we look at exhibitions.

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KIBLA's gallery KiBela is one of
the few galleries in Slovenia

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which introduces
quality modern art.

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The visiting audience here
is very specific.

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Literary evenings
of bookshop 'Zamisel'

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are dependant from
authors of presented books.

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The visiting audience
can then be much wider -

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people in their 50s or 60s.

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KIBLA has a very maneuverable
space regarding target audience.

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Kulturni Inkubator is a place
and a programme..

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..meant for getting
together and creating.

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It unites artists and creators
from different fields.

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It is oriented more towards
modern media art and

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on culture and practical work,
which could be categorized

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as pop-culture of Slovenian
and foreign enviroments.

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There are also
people who work..

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..with computers,
movies and photography

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and come from Maribor or other
places in Slovenia and Europe.

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It has a main
programme which is being..

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..performed but
there are also projects.

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It is possible to incorporate
anything into this programme,

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like offering a place
and equipment to someone

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who would make something
and then show it to the public.

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This place is important for the urban
enviroment because it aims for

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the modern urban art and
encourages the rise of urban cultures.

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At the same time,
it also makes possible

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to present these cultures
to wider city enviroment.

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We aim at younger artists who
study or have finished studying

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and continue to develop their
artistic expression.

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And also to those topics
which are linked to notion

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of youth culture.

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The old ones too.
The topics from 20th century -

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the beatniks, rock-pop culture
in movies, in literature, in computers.

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They are all linked with each other.

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The people who come to see
these things are young.

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Most of them are high school
students around 18 years old,

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then a lot of them go and
study in Ljubljana or abroad.

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The second group
are students who stayed

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and those who
came to study in Maribor.

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Unfortunately, there
are less of them.

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The students who come here
to study have to get familiar

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with all these possibilites.
With time they start to

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make benefit from our programmes.

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We try to cooperate
as much as possible,

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but it is not self-evident.

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Quite a lot of effort is given
to inform them of this place.

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The students are more interested
in fun in their free time, rather

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than doing something extra.

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They must be willing
to create on their own.

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We offer them support,

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but we cannot force
anyone into crafting art.

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00:20:03,200 --> 00:20:08,000
The basic idea or civil initiative:
to found an uncommercial medium

222
00:20:08,000 --> 00:20:12,160
which is concerned with topics that
are different from those found in

223
00:20:12,200 --> 00:20:14,680
commercial media known today.

224
00:20:14,680 --> 00:20:17,960
Sure, back then there weren't
commercial radio stations.

225
00:20:18,000 --> 00:20:23,200
The national station was the only
'competitor', so we

226
00:20:23,240 --> 00:20:27,560
had quite a lot of maneuverable space
to create rock-roll radio.

227
00:20:27,560 --> 00:20:34,000
Formally, this was only possible by
registering as 'Mariborski Radio Študent.'

228
00:20:34,000 --> 00:20:37,640
Bands and groups
which were emerging

229
00:20:37,720 --> 00:20:40,600
were seeking either
refuge or information here.

230
00:20:40,600 --> 00:20:49,468
Even older people
have listened to us.

231
00:20:49,468 --> 00:20:56,080
Manly because of advertisements!

232
00:20:56,080 --> 00:21:00,400
We had such advertisements, people
didn't know whether they were

233
00:21:00,400 --> 00:21:03,760
true or only a joke. And only because
of advertisements those

234
00:21:03,900 --> 00:21:09,804
who didn't like that kind of music,
listened to MARŠ.

235
00:21:09,804 --> 00:21:13,371
Which is kind of paradoxal,
because we're an uncommercial medium.

236
00:21:13,406 --> 00:21:15,655
At that time we had
a lot of listeners,

237
00:21:15,655 --> 00:21:18,281
because there weren't
any local radio stations.

238
00:21:18,281 --> 00:21:23,760
Even after Radio City emerged
we had quite a lot of listeners.

239
00:21:25,813 --> 00:21:30,400
This influence has declined since
the 90s because of two factors.

240
00:21:31,400 --> 00:21:34,800
The first is enormous increase
of radio stations in Maribor,

241
00:21:35,280 --> 00:21:40,880
which divided listeners
of radio stations.

242
00:21:42,280 --> 00:21:49,880
Secondly, the population structure
has changed somehow.

243
00:21:52,320 --> 00:21:56,350
Overflow of media
and brain washing

244
00:21:56,350 --> 00:21:59,521
influenced the population
to this point,

245
00:21:59,521 --> 00:22:04,240
that they'll change the station
if you talk about serious matters.

246
00:22:05,040 --> 00:22:10,120
They will only listen to matters
concerning traffic, weather

247
00:22:10,880 --> 00:22:13,200
music, shows and other
light topics.

248
00:22:13,640 --> 00:22:17,880
I think that general opinion
of MARŠ here in Maribor

249
00:22:17,880 --> 00:22:24,000
is based on misunderstandings
within the editorship and

250
00:22:24,040 --> 00:22:32,800
the gossips around this have
reached epic proportions.

251
00:22:32,800 --> 00:22:37,400
That's why at the moment MARŠ
has a very bad reputation.

252
00:22:39,607 --> 00:22:43,880
What would MARŠ like to offer?

253
00:22:43,880 --> 00:22:47,200
I see the solution in connecting
with related institutions

254
00:22:47,200 --> 00:22:50,680
but not in the sense of putting our
logo on somebody else's event.

255
00:22:50,720 --> 00:22:53,741
Actual cooperation -
like listening to radio MARŠ

256
00:22:53,741 --> 00:22:58,681
..in KIBLA, or in
Satchmo jazz club.

257
00:22:58,681 --> 00:23:01,640
Exchanging informations.
Editors would know best.

258
00:23:01,640 --> 00:23:05,892
You've got to know
that MARŠ had outgrown

259
00:23:05,892 --> 00:23:08,241
the frames of student radio station
a long time ago.

260
00:23:08,241 --> 00:23:16,080
Eventhough students are
incorporated into the work

261
00:23:16,120 --> 00:23:23,400
of the radio,
MARŠ has become a lot bigger.

262
00:23:24,560 --> 00:23:28,471
We expect from the
students to participate

263
00:23:28,471 --> 00:23:31,840
in the active policy of MARŠ
and in local scene.

264
00:23:31,840 --> 00:23:38,640
Concerning the community in which
our radio is operating:

265
00:23:38,640 --> 00:23:45,920
at the moment MARŠ is the
only radio station in Maribor

266
00:23:45,960 --> 00:23:50,320
that offers media space to people
that are otherwise pushed aside.

267
00:23:50,800 --> 00:23:55,800
We are maintaining
and strenghtening this..

268
00:23:55,840 --> 00:23:59,320
..orientation and will
continue to do so.

269
00:24:03,320 --> 00:24:09,161
Je poseben kraj, saj se
edino tukaj najde prostor za

270
00:24:09,161 --> 00:24:19,108
svobodno izražanje
in ustvarjanje.

271
00:24:19,108 --> 00:24:26,080
Tako v umetniških
kot neumetniških vodah.

272
00:24:26,080 --> 00:24:32,040
Zelo zanimiv kraj, zaradi zgradb in
sploh vse strukture,

273
00:24:32,040 --> 00:24:35,800
zaradi ljudi, ki sem prihajajo in
tukaj delajo.

274
00:24:38,160 --> 00:24:41,800
Malo je takšnih krajev na svetu,
vsaj kolikor je meni znano.

275
00:24:45,240 --> 00:24:51,800
Mislim, da imam srečo,
da živim in delam tukaj.

276
00:24:53,280 --> 00:24:57,444
Ljudje, ki prihajajo v Pekarno
imajo načeloma enak stil..

277
00:24:57,444 --> 00:25:00,160
..stil oblačenja,
okus za glasbo.

278
00:25:02,520 --> 00:25:05,160
Zato se 'štekajo'.

279
00:25:08,280 --> 00:25:17,400
Vsak posameznik je svet zase.
Z vsakim lahko govoriš,

280
00:25:17,800 --> 00:25:19,920
četudi si ga prvič videl.

281
00:25:19,920 --> 00:25:25,440
Vsi so zelo odprti in prijazni.

282
00:25:25,440 --> 00:25:32,760
Vlada svoboda govora - tu lahko
poveš kar ti pade na pamet.

283
00:25:32,760 --> 00:25:36,560
Vedno se bo našel nekdo,
kateremu bodo tvoje zamisli všeč.

284
00:25:39,376 --> 00:25:47,809
Je zelo blizu naši šoli, pa tudi
drugače je tukaj zelo lepo.

285
00:25:47,809 --> 00:25:51,937
Počutim se kot doma.

286
00:25:52,724 --> 00:25:55,440
Tukaj je prostor za mlade.
Če imaš skupino, lahko prideš..

287
00:25:55,480 --> 00:25:59,320
..in začneš z manjšim koncertom.

288
00:26:01,040 --> 00:26:06,000
V prostoru Pekarne
obstaja več entitet.

289
00:26:07,960 --> 00:26:13,739
Včasih je bila tu vojašnica
z mnogimi zgradbami,

290
00:26:13,739 --> 00:26:18,440
različnimi vsebinami
in tudi identitetami.

291
00:26:18,440 --> 00:26:23,160
Skupine ljudi, ki so počele
povsem različne stvari

292
00:26:23,480 --> 00:26:27,800
in predstavljam si,
da je kar težko ugotoviti

293
00:26:29,160 --> 00:26:31,840
kaj sploh skupaj početi
in predstavljati.

294
00:26:31,840 --> 00:26:35,762
Zato pa je tu še institucija
Pekarna Magdalenske mreže,

295
00:26:35,762 --> 00:26:41,101
ki je nekakšna javna služba,

296
00:26:41,101 --> 00:26:47,120
kjer se zbirajo vsakršne ideje,
ki bi se jih dalo uresničiti.

297
00:26:51,400 --> 00:26:54,580
I think that this
place is among few,

298
00:26:54,580 --> 00:26:57,059
if not the only one,
here in Maribor,

299
00:26:57,059 --> 00:27:02,320
where young people are given
the chance to express themselves.

300
00:27:06,040 --> 00:27:13,960
It is also a place where they
don't have to concern themselves

301
00:27:13,961 --> 00:27:17,022
with all the rules
and regulations like..

302
00:27:17,022 --> 00:27:22,134
..elswhere in Maribor
where they gather.

303
00:27:22,134 --> 00:27:33,173
Zame osebno je bil
to dolgo edini kraj,

304
00:27:33,173 --> 00:27:38,647
kamor sem lahko šla, ne da
bi mi bilo treba poslušati isto

305
00:27:38,647 --> 00:27:46,480
glasbo kot povsod drugod.
To je zelo osebno. Težko je razložiti,

306
00:27:46,480 --> 00:27:52,560
saj ima vsak, ki prihaja sem
lastno predstavo o Pekarni.

307
00:27:52,560 --> 00:27:56,200
Po drugi strani pa imajo tudi tisti,
ki sem ne zahajajo,

308
00:27:56,240 --> 00:28:01,200
svojo predstavo, ki temelji na
nečem, česar sploh ne poznajo.

309
00:28:04,720 --> 00:28:07,503
Morda bi lahko
spremenili odnos,

310
00:28:07,503 --> 00:28:12,561
če bi vsaj obiskali Pekarno,
ali tu delali.

311
00:28:12,561 --> 00:28:15,200
If a fifteen year-old ask his
mother for permission to

312
00:28:15,200 --> 00:28:18,080
visit Pekarna, he will most
probably be shout at and

313
00:28:18,080 --> 00:28:21,480
told not to go there, because
that's where drug abusers gather.

314
00:28:22,080 --> 00:28:30,920
I think that here could be the central
of the culture of Maribor

315
00:28:30,960 --> 00:28:39,000
hosting jazz and classic concerts,
workshop, exibitions

316
00:28:39,040 --> 00:28:43,897
Many great things
could be happening here,

317
00:28:43,897 --> 00:28:50,700
in the centre, without
disturbing the neibghourhood.

318
00:28:50,700 --> 00:28:54,402
This place in a state like this
is a great loss

319
00:28:54,402 --> 00:28:59,960
for Maribor and for the young
who would like to make something.

320
00:29:01,720 --> 00:29:08,440
Nič presenetljivega - če ljudje
vidijo da omet odpada,

321
00:29:09,440 --> 00:29:17,800
se bojijo. Mislijo, da to ni
varen kraj, če tako izgleda.

322
00:29:17,840 --> 00:29:27,080
Govorice pa se razširijo. Seveda
pa to ni dobro za ta kraj,

323
00:29:27,120 --> 00:29:34,760
saj kraj kot je ta nekaj velja le,
če ima ljudi in življenje.

324
00:29:37,804 --> 00:29:42,063
Vse mora biti bleščeče,
'v trendu' in lepo.

325
00:29:42,063 --> 00:29:48,424
Tako kot v reklamah na televiziji.
Pekarna ni tak kraj.

326
00:29:48,424 --> 00:29:57,329
Ljudje, ki sploh še niso bili tu,
so proti,

327
00:29:57,329 --> 00:30:03,801
saj mislijo, da tu zagotovo
potekajo nečedni posli.

328
00:30:03,801 --> 00:30:09,840
Takšno je splošno mnenje,
proti kateremu se še vedno borimo.

329
00:30:13,000 --> 00:30:18,360
Ljudje, ki prihajajo sem redno,
ne mislijo tako.

330
00:30:19,800 --> 00:30:25,240
Negativna mnenja obstajajo
na ravni rumenega tiska.

331
00:30:30,080 --> 00:30:34,280
Dobro je imeti takšen
subkulturni kraj, še posebej

332
00:30:34,320 --> 00:30:38,654
v tako malem mestu,
kot je Maribor.

333
00:30:38,654 --> 00:30:45,581
Občina bi morala tesneje
sodelovati s predstavniki Pekarne

334
00:30:45,581 --> 00:30:49,400
predvsem pa
prispevati več denarja,

335
00:30:49,400 --> 00:30:53,020
saj je to neprofiten prostor,

336
00:30:53,020 --> 00:30:56,321
subkultura pa tudi
potrebuje svoj prostor.

337
00:31:06,320 --> 00:31:10,000
<i>Traditional Pekarna Drum Fest</i>

338
00:31:51,611 --> 00:31:54,204
The most recent
problem is new act

339
00:31:54,204 --> 00:31:57,865
that concerns the
activities of associations

340
00:31:57,865 --> 00:32:01,661
which has prevented
certain activities

341
00:32:01,661 --> 00:32:04,347
of various associations
across Slovenia

342
00:32:04,347 --> 00:32:07,465
This is a big problem
at the moment,

343
00:32:07,465 --> 00:32:13,640
besides the paperwork and city
council's legalization of Pekarna.

344
00:32:15,400 --> 00:32:19,503
To je še eno poleno
pod noge ljudem,

345
00:32:19,503 --> 00:32:24,601
ki se ukvarjajo
z mladinsko kulturo.

346
00:32:26,040 --> 00:32:31,778
In še bolj zapleteno postaja.
Žalostno je videti,

347
00:32:31,778 --> 00:32:36,040
da lokalna uprava ne podpira
tega kraja tako, kot bi ga morala.

348
00:32:38,160 --> 00:32:45,360
Po drugi strani pa daje prioriteto
drugim kulturnim organizacijam,

349
00:32:45,400 --> 00:32:48,880
ki morda niso tako
produktivne kot Pekarna.

350
00:32:50,880 --> 00:32:55,400
To je žalostno. Glavni razlogi
pa so verjetno politični.

351
00:32:57,640 --> 00:33:04,000
Ta kraj ne bi smel
imeti 'šminke'.

352
00:33:04,440 --> 00:33:08,461
Bistvo tega kraja
bi morali ohraniti.

353
00:33:08,461 --> 00:33:17,240
Seveda bi zgradbe lahko izboljšali,
ne pa tudi spremenili.

354
00:33:22,190 --> 00:33:29,802
Če bi imeli boljše pogoje,
bi ta kraj

355
00:33:29,802 --> 00:33:33,601
lahko deloval
veliko bolj učinkovito.

356
00:33:33,640 --> 00:33:38,440
Ta kraj ima potencial, zaradi katerega
ljudje že prihajajo v Maribor,

357
00:33:38,480 --> 00:33:43,280
lahko pa bi jih bilo še več,
še posebej mladih.

358
00:33:44,360 --> 00:33:48,415
Ne razumem, zakaj občina
tega ne sprevidi.

359
00:33:48,415 --> 00:33:55,840
Morda so v ozadju interesi,
ki hočejo to spodkopati.

360
00:33:55,840 --> 00:34:02,240
Pridite in poglejte, ne bo vam žal.
Zelo je kul. - Lepo je biti tukaj.

361
00:34:03,600 --> 00:34:05,520
To je sproščen kraj
za vsakogar.

362
00:34:13,000 --> 00:34:15,560
<i>The future?</i>

363
00:34:18,400 --> 00:34:22,360
Res ne vem. Po enajstih letih
se še vedno trudimo.

364
00:34:22,800 --> 00:34:27,216
Morda se morajo zamenjati
generacije, ne vem.

365
00:34:27,216 --> 00:34:30,121
Verjetno bo ostalo tako kot je.

366
00:34:30,121 --> 00:34:35,484
Če bodo kompleks obnovili in
bo vse svetlikajoče in komercialno,

367
00:34:35,484 --> 00:34:38,800
potem bodo lahko rekli:
'Oh, kako je lepo.'

368
00:34:40,480 --> 00:34:43,360
Vendar to ne
bo več Pekarna.

369
00:34:43,360 --> 00:34:48,160
Ljudje tukaj morajo
biti enotni.

370
00:34:52,240 --> 00:34:55,960
To pa je ena izmed težjih nalog.

371
00:34:55,960 --> 00:35:01,960
V Pekarni je ustvarjalnih
veliko različnih ljudi,

372
00:35:04,400 --> 00:35:08,240
Drugačnost pa je treba ceniti,

373
00:35:08,280 --> 00:35:14,000
vendar je težko živeti z
drugačnostjo in ustvarjati skupaj.

374
00:35:14,680 --> 00:35:21,000
To je največji izziv za te ljudi.

375
00:35:21,000 --> 00:35:27,280
Če bodo enotni, bo
Pekarna zaživela.

376
00:35:27,782 --> 00:35:31,400
Če ne, bo izginila.

377
00:35:31,400 --> 00:35:36,000
I would only like to say that
City Council of Maribor should

378
00:35:36,600 --> 00:35:44,160
provide a working place for the
representative of Pekarna

379
00:35:44,880 --> 00:35:49,840
or MKC to supervise their doings.

380
00:35:52,720 --> 00:35:55,720
Someone from the council should
come here and see what is

381
00:35:55,920 --> 00:35:58,200
actually going on here.

382
00:35:58,520 --> 00:36:01,760
It would be great to see this places
got renowned, so

383
00:36:01,800 --> 00:36:05,280
that young people would have
a place to work.

384
00:36:05,280 --> 00:36:09,720
This would get them connected.
At the moment this creates diversity -

385
00:36:10,320 --> 00:36:13,880
nobody is sure of anything,
everyone is caring only for his own ass

386
00:36:13,920 --> 00:36:16,940
and they just
can't cooperate

387
00:36:16,941 --> 00:36:18,441
if they don't know what
will happen tomorrow.

388
00:36:18,441 --> 00:36:22,640
I can't wait to see something
happen here in Pekarna.

389
00:36:23,160 --> 00:36:30,040
I hope that this is not the
place for a new supermarket or bank.

390
00:36:30,800 --> 00:36:34,920
This must stay the place for culture
and for young to get educated.

391
00:36:34,920 --> 00:36:40,024
If Pekarna was lost,
it would be hard to imagine

392
00:36:40,024 --> 00:36:45,281
that something like this
would happen to Maribor,

393
00:36:45,281 --> 00:36:51,641
like it was the case
with ROG in Ljubljana.

394
00:36:52,840 --> 00:36:58,480
How can we ever achieve anything,
if they take everything from us.

395
00:37:00,680 --> 00:37:03,040
Where can we show our creativity?

396
00:37:03,560 --> 00:37:05,960
We must not let them close Pekarna.

397
00:37:06,463 --> 00:37:15,550
I think that young people in our society
aren't taken seriously enough.

398
00:37:17,604 --> 00:37:23,280
The world rests on
the shoulders of the young.

399
00:37:24,946 --> 00:37:29,520
But if no one pays any attention
to what you are doing,

400
00:37:29,560 --> 00:37:31,720
it is hard to achieve something.

401
00:37:31,800 --> 00:37:35,040
We've got to be taken
in consideration.

402
00:37:37,400 --> 00:37:42,160
<i>Maribor:
the second largest Slovenian city</i>

403
00:37:42,200 --> 00:37:48,480
<i>The capital of Slovenian Styria</i>

404
00:37:48,560 --> 00:37:54,960
<i>115 693 inhabitants</i>

405
00:37:55,000 --> 00:38:02,320
<i>University city</i>

406
00:38:02,360 --> 00:38:08,920
<i>26 548 students</i>